Screenwriting Tricks for Authors
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Writing Act II: The Third Quarter Drop Dead

In the next few weeks we’ll be breaking down the essential components of Act III of your book or script: The Final Battle. But before we move on, there’s something else I’d like to point out about Act II: Part 2, the third quarter of your story. I find that right...

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Your Act II Climax: The Dark Night and the Dawn

These two key story structure elements are very, very often the CLIMAX of Act II: Part 2. They almost always occur next to each other, one coming right after—or soon after—the other. There might be a climactic action sequence before or after, but these elements will...

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Act II: Part 2 — Visit to the Goddess

As we continue our discussion of Act II: Part 2,I want to make sure you’re aware of this important story element. It can be tremendously useful—and it’s very rarely discussed! You could characterize the two halves of Act II with these very, very broad strokes: Act II:...

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Act II: Part 2 – The Clash of Inner & Outer Desire

The darker, downward spiraling Act II: Part 2 is a PATTERN in novels and movies that we tend to see often. I want to say up front, as ever: If you’re writing an Act II: Part 2 that doesn’t fit this pattern, and it’s working for you, that’s all that matters! Only use...

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The MIDPOINT Game-Changer – Part 2

Let's talk about that sagging middle. Of your book or script, I mean! This month we’ll be moving into the third quarter—often the darkest and most difficult quarter! —of a book or script: Act 2: Part 2, what I call THE DOWNWARD SPIRAL. But first I want to make...

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Creating Love Triangles/Second Love Interests

After last week’s post I got a request for a discussion of how to create love triangles/ secondary love interests — and I’m happy to do a post on this excellent question! One of the key elements that makes a love triangle work is: The two possible love interests...

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Is AI the end of writers—or the end of humanity?

By now you’re all completely familiar with Chat GPT (Bing, Bard, etc.) and why writers are anxious about it all— Just kidding. I know enough writers (thousands) to know: learning about the explosion of AI and its implications to their livelihood is one of those things...

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The PLAN – the road map of your book or script!

  If there’s just one bottom line piece of advice I can give you about how to write a novel or script, it’s this— You need to know the PLAN. Your protagonist’s Plan is the road map, the Holy Grail, the spine, the sine qua nonof your story— book or script. The Plan is...

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